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The process diary of film director Glendyn Ivin


Glendyn Ivin

Have just returned from a week in Adelaide where I was invited to be part of The Hive, which is a bit like a creative think tank encouraging the 'cross pollination' of ideas amongst artists from different creative disciplines. For five days I was in the 'lab' with a bunch of really inspiring people. Film directors, theatre directors, choreographers, artists, actors and musicians. I felt very lucky to part of the talent pool but perhaps the greatest thing was the time that we were given to just talk about ideas, with no real quantative outcome in mind. To see how for example choregrpahers Meryl Tankard or Gideon Obarzenak would approach a story idea or just ideas in general. It was a great amount of time very well spent. I went in with a film idea and came out with an idea for exhibition, one that I had been thinking about for a while but it was only half an idea, now I have a full idea and I'm very keen to develop it further. It was so nice to be in a development based workshop that was about 'ideas' and not funding or structure or distribution strategies.

It was held in conjunction with the Adelaide Film Festival, which has fast become the best and most progressive film festivals in Australia. We launched Last Ride there two years ago this week. Festival Director Katrina Sedgwick is one of the coolest people I know. I saw her introduce world premieres, launch programmes and funding initiatives, drive guests around and hug the caterers. Katrina has a the very special quality that I have tried to implement in my own life where when she is talking with you, it feels as though you are the most important thing at that time, regardless of the room full of people around her, or the hundred other things that might be taking up her headspace. She is very present in this way and I find it a most generous quality in her and in people in general.

Beautiful light in Adelaide at this time of year...