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The process diary of film director Glendyn Ivin


Glendyn Ivin

Spent last week scouting and tech recce-ing locations with the crew. Which included a trip to Beaconsfield in Tasmania. Toby, camera assistant Chris and I stayed on for an extra day or so to shoot some landscapes that I hope will become an important part of the film. Much of the film takes place underground in the deep dark of a gold mine, so the moments where we can break out and show the world above will provide a much needed breath of fresh air in more ways than one. It will give both the film and the audience a moment to breathe. It was nice to get some beautiful images 'in the can' or 'on the drives' so to speak (shooting the film on the wonderful Arri Alexa). Tasmania is such a amazing place to shoot these sequences, especially in winter. Low sun during the day and a morning fog that hangs thick in the air well into the day. So nice! One final and very short week of pre to go... it really doesn't feel like there will be a enough hours, minutes or seconds in the days to get everything done. But I know in these situations even if we had another 4 weeks, it still wouldn't be enough time. You got to take what you got and make the most of it!