BLACK AND WHITE AND COLOUR
Glendyn Ivin
I don't shoot film very often but when I do it's always exciting to see what little surprises turn up when the film is finally developed and the negs scanned. This week it was nice to discover a little extra bonus 'end of the roll' random image of Robert Bresson (on the cover of arguably the best book about filmmaking ever) staring out from my office bookshelf.
The colour shot of the geraniums was a little bonus from a recent recce as I find myself back directing a commercial which will take me through until the end of the year.