JOURNAL
The process diary of film director Glendyn Ivin
5D in tha House
Glendyn Ivin
The interview is about an hour long and goes into quite alot of detail into the whys and hows of shooting one of the most popular TV shows in the world on sub $3000 DSLR camera. To shoot with the 5D (and the cameras that will soon follow) is no longer a decision and discussion based around budget, but one about creativity, control and creating a working process that most filmmakers have been dreaming of. Myself included.
I have never watched House, but I'll be certainly sitting down in front of the TV to watch this ep.
Herzog coming soon in 3D!
Glendyn Ivin
Werner Herzog talks (like Jesus to his disciples) about his new documentary about 30 000 year old cave art in France, which he has shot in 3D!
Obsession
Glendyn Ivin
Right now it's Neil Young. This happens a couple of times a year.
You know when you go through those stages where you get so into an artist/album/song, you kind of wish your whole body was an ear.


7Delicious
Glendyn Ivin
I'm totally amazed by the music video below. Over 8 minutes long and beautifully shot on the Canon 7D. Have a look at it, it's stunning. And it was shot with a CREW OF TWO people. One being the singer! On a camera you can buy for around $1500. Epic!
Small crews, small cameras. Less fuss, less logistics, freeing you up for so much more actual film making! I find this kind of thing totally inspiring for so many reasons. Some of which I'll go into more detail when I post the 'Sound Maker' film here (hopefully in the next week or so...)
Along with the minimal fuss approach to the filming, what these guys have done so well is choose great (public) locations, that are already lit and look great. This is where the Canon 7D / 5D's excel, in low light. So not having to use expensive film lights, opens up the possibilities, everything out in there in the perfectly lit city is ready and waiting to be utilised and pre-lit location. That said, the sequences shot in the snowy / foggy forest are equally amazing!
Here is a brief 'making of' the 'Break My Soul' video. And a few more details here.
Sound Maker pt 3
Glendyn Ivin
Here are some random frames I picked up from the cutting room floor...
R.I.P Jim Marshall
Glendyn Ivin
Cool city. Cool clip.
Glendyn Ivin
I must be missing Philly. I watch the film Philadelphia, which is a far greater film than I remembered it to be, and now awake in the middle of night due to jet lag I'm trawling YouTube for cool clips about Philly, so I can see it again through somebody else's eyes.
A few seconds from my New York minute...
Glendyn Ivin
I was able to get to a couple of my favourite places as well as stumble across a few new ones. I think thats what I like about NY so much. You can wander off in any direction and find great things just waiting there. It's Disneyland for adults!
Sound Maker pt 2
Glendyn Ivin
Have just wrapped the week shoot in Philadelphia. Such an amazing experience. I feel so privileged to have been invited so warmly into the lives of people who live in such a different world to mine. The last 7 days have felt like exploring outer-space.
The textures, places and faces of South Philly have left a lasting impression on me.
Tomorrow a short day in NYC! Then flying home to my family who I've missed alot.
And the edit suite...
Los Angeles Transit
Glendyn Ivin
Sound Maker pt 1
Glendyn Ivin
Thanks to everyone who contacted me with ideas for the 'sound maker' project. It's been a cool few weeks of discovery and I have been exposed to some totally amazing and very talented people out there in world. For the project we found an amazing 21 year old rapper in Philadelphia and I'm jumping on a plane in a few hours to go and spend a week making the short film. This is a bit of dream job for me. I have been wishing for a project like this for while. Something small, intimate and direct. The crew is essentially me and my assistant Ryley. We will have a some much appreciated production support on the ground in Phily.
What exactly are we shooting? Not sure yet... I have some ideas, but it's going to be very much on the fly, and that is what is most exciting to me. I feel with our subject, the location, the music and the time to explore a little, we have all the elements we need. Fingers crossed.
Everything we are taking to make the film is in the picture below (apart from my laptop and some sound gear we will get in Phily). It's scarily stripped back. It's freaking me out a little..!
But if you look you can see some cameras and some microphones and a roll of gaff tape. Thats all you need really need isn't it? I'm planning to shoot mostly on the 5Dmk2, I did cave in at the last minute and hired a Sony HD Cam (VP1) just incase what we end up doing isn't suitable for the 5D.
Bring it!
HELP NEEDED!
Glendyn Ivin
True Love and Chaos pt3
Glendyn Ivin
Black and White
Glendyn Ivin
I'm slowly falling more and more in love with Black and White images. Whether it be for stills or film. The film Strandon In Canton I briefly discussed in the post below this one, is stunning in all it's monchramatic glory, glitches and all. There is something in the way that when you remove all the colour information from an image it becomes so much more simpler, more direct, and I'm becoming obsessed with it! It's more about form, shape and texture. I know this baisc and obvious, but I'm really enjoying exploring it in my work.
I once read somewhere that films are not shot in black and white anymore because an audience won't feel as though they are getting their moneys worth. Insane.
Below are a couple of pre-production stills for the Knog stills shoot I've been working on. The actual shoot was yesterday and I'll post some images from it in the next day or so... It was great fun and I'm really happy with the way it came together.


































