Sound Maker pt 3
Glendyn Ivin
Here are some random frames I picked up from the cutting room floor...
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The process diary of film director Glendyn Ivin
Here are some random frames I picked up from the cutting room floor...
I must be missing Philly. I watch the film Philadelphia, which is a far greater film than I remembered it to be, and now awake in the middle of night due to jet lag I'm trawling YouTube for cool clips about Philly, so I can see it again through somebody else's eyes.
I was able to get to a couple of my favourite places as well as stumble across a few new ones. I think thats what I like about NY so much. You can wander off in any direction and find great things just waiting there. It's Disneyland for adults!
Have just wrapped the week shoot in Philadelphia. Such an amazing experience. I feel so privileged to have been invited so warmly into the lives of people who live in such a different world to mine. The last 7 days have felt like exploring outer-space.
The textures, places and faces of South Philly have left a lasting impression on me.
Tomorrow a short day in NYC! Then flying home to my family who I've missed alot.
And the edit suite...
Thanks to everyone who contacted me with ideas for the 'sound maker' project. It's been a cool few weeks of discovery and I have been exposed to some totally amazing and very talented people out there in world. For the project we found an amazing 21 year old rapper in Philadelphia and I'm jumping on a plane in a few hours to go and spend a week making the short film. This is a bit of dream job for me. I have been wishing for a project like this for while. Something small, intimate and direct. The crew is essentially me and my assistant Ryley. We will have a some much appreciated production support on the ground in Phily.
What exactly are we shooting? Not sure yet... I have some ideas, but it's going to be very much on the fly, and that is what is most exciting to me. I feel with our subject, the location, the music and the time to explore a little, we have all the elements we need. Fingers crossed.
Everything we are taking to make the film is in the picture below (apart from my laptop and some sound gear we will get in Phily). It's scarily stripped back. It's freaking me out a little..!
But if you look you can see some cameras and some microphones and a roll of gaff tape. Thats all you need really need isn't it? I'm planning to shoot mostly on the 5Dmk2, I did cave in at the last minute and hired a Sony HD Cam (VP1) just incase what we end up doing isn't suitable for the 5D.
Bring it!
I'm slowly falling more and more in love with Black and White images. Whether it be for stills or film. The film Strandon In Canton I briefly discussed in the post below this one, is stunning in all it's monchramatic glory, glitches and all. There is something in the way that when you remove all the colour information from an image it becomes so much more simpler, more direct, and I'm becoming obsessed with it! It's more about form, shape and texture. I know this baisc and obvious, but I'm really enjoying exploring it in my work.
I once read somewhere that films are not shot in black and white anymore because an audience won't feel as though they are getting their moneys worth. Insane.
Below are a couple of pre-production stills for the Knog stills shoot I've been working on. The actual shoot was yesterday and I'll post some images from it in the next day or so... It was great fun and I'm really happy with the way it came together.


